The following year, the series was exhibited for the very first time at the Recontres d’Arles festival, and later that year at the 798 Gallery in Beijing and the Pingyao International Photography Festival, where I first encountered this powerful series.
Many observers of this work, make a natural connection with that of the legendary Richard Avedon, but it is important to understand that at the time these photographs where produced, Chao, who was still an amateur photographer, had little knowledge of the history of Western photography, and was unaware of who Avedon was or his work.
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